The wedding march.
Framed by two male figures dressed in tuxedos, a Puerto Rican woman relives the timeless folktales of love and wisdom told by the women of her family for generations. She is a passionate poet and writer, invested in celebrating her own heritage while at the same time challenging the definitions of womanhood and romance passed on by generations of women in her family. She constantly navigates the dual identity formed by having grown up in two very different worlds: the tropical island and 'Los Nuevayores' (that other place away from the island.) By way of her grandmother, she is a skilled and eloquent storyteller. Her companions are two parts of the same man, one being Spanish dominant and the other English dominant. They both give life to the eternal inhabitant of the poetic world created by the writer: a Latino leading man. They are able to embody her varying definitions of manhood. Form a menacing thief that terrorized the Caribbean during the 18th Century, to a gentle young man brought up as a girl by his widowed mother, to the author's memory of her father. 'The Wedding March' premiered at Pregones @ St. Ann's in The Bronx NY, in 1991. Founded in 1979 and based in The Bronx, New York City, Pregones Theater (http://www.pregones.org) has performed in more than 400 cities and 13 countries. The company enjoys citywide recognition for their lasting contributions to the performing arts field and are recipients of numerous distinctions including current Leading National Ensemble Theatre Designation from the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation, Primary Cultural Institution Designation from the New York State Council on the Arts, the New York State Governor's Arts Award, the Culture & Humanities Award from the Center for Puerto Rican Studies, numerous artist and production awards, as well as invitations to appear at international festivals and events. Over the years Pregones has developed a style that combines theater, music and movement, oral and written traditions, and a signature urban sensibility. The ensemble draws from popular Puerto Rican artistic expressions and literature to create and stage its work. Today, Pregones has grown to be one of the leading Puerto Rican/Latino theater theaters in the United States. From migrations to indigenous mythologies to subway stories, the company's repertoire covers a growing sample of Latino experiences and identities. Hemispheric Institute of Performance and Politics