Faith and dancing.

Since 1981, the Split Britches Company (founded by Lois Weaver, Peggy Shaw, and Deb Margolin, www.splitbritches.com) has written and performed in trio, duet, and solo, as well as collaborated and performed with other artists. They describe their work in this way: 'Our work is rooted in popular culture, but positioned against it. It relies on moments rather than plot, relationships rather than story. It depends on the surprise of transformation rather than the logic of psychological narrative. It straddles the line between performance and theater, exploiting theatricality while exposing the pretense. It is about a community of outsiders, queers, eccentrics. It is feminist because it encourages the imaginative potential in everyone and lesbian because it takes the presence of lesbian on stage as a given.' Their vaudevillian satirical gender-bending performances have received numerous awards, including a Jane Chamber award and four Village Voice OBIE awards. Their collection of scripts, 'Split Britches Feminist Performance/Lesbian Practice', edited by Sue Ellen Case, won the 1997 Lambda Literary Award for Drama. This video documents the one-woman show 'Faith and Dancing'. Written and performed by Lois Weaver, the piece is an autobiographical journey from an early life growing up a strict Southern Baptist in 1950's Virginia to lesbian femme in the 1990's. In Weaver's exploration, faith meets science and sermons meets striptease and she reconciles how a youthful evangelist became an aging exhibitionist. Hemispheric Institute of Performance and Politics