Clothes
This is a video documentation of 'Clothes,' a play by Chitra Banerjee Divakaruni, which discusses complex topics such as racism, multi-cultural relationships, economic disparity, and arranged marriage, from an Indian-American perspective. The main character, Sumita, leaves India for the United States to marry a man she has never met before, and she expresses her anxieties about being exiled from her family. The struggles to adapt to U.S. American culture are symbolically transferred to clothes' shapes and colors, since Sumita has to trade in her native 'sari' for t-shirts and jeans. When Sumita's husband dies, she is left to choose the life of an independent woman in the United States or return to her in-laws in India. Now a 'widow in a white sari,' Sumita vows to stay in the United States despite not knowing how she will survive. Through dance and music that intertwines delicate movements with a subtle but strong body, storytelling transmits the complexity of a female identity that moves between tradition and modernity. The characters' gestures, and the music, dance, and percussion through the play, reveal a story that is part of a broader history of cultural encounters.
Chitra Banerjee Divakaruni is an award-winning author, poet, activist and teacher. Her themes include the Indian experience, contemporary U.S. America, women, immigration, history, myth, and the joys and challenges of living in a multi-cultural world. Her books have been translated into 29 languages, and her work has appeared in over a hundred magazines and anthologies. Several of her novels and stories have been made into films and plays. She has won an American Book Award and a Light of India award. Divakaruni teaches Creative Writing at the University of Houston and writes for both adults and children.
From 1979-2009, the New WORLD Theater worked at the intersection of artistic practice, community engagement, scholarship, and activism toward a vision of a 'new world'-one that broke the confines of multiculturalism and was an artistic harbinger of America's shifting demographics. From a geographic 'outpost' in New England, New WORLD Theater evolved from a community organizing project and the Northeast point on a theater touring compass, to a protective studio to hone new work, a site of international intersections from South Africa to the South Bronx, and the home of inspired and rigorous collaborations with Western Massachusetts youth. New performance work development at New WORLD defied the conventional theater play lab as ghetto for artists of color; artists were met where they wanted to be in the imagining of new approaches, methods, and production.