Belle reprieve.

Since 1981, the Split Britches Company (founded by Lois Weaver, Peggy Shaw, and Deb Margolin, www.splitbritches.com) has written and performed in trio, duet, and solo, as well as collaborated and performed with other artists. They describe their work in this way: 'Our work is rooted in popular culture, but positioned against it. It relies on moments rather than plot, relationships rather than story. It depends on the surprise of transformation rather than the logic of psychological narrative. It straddles the line between performance and theater, exploiting theatricality while exposing the pretense. It is about a community of outsiders, queers, eccentrics. It is feminist because it encourages the imaginative potential in everyone and lesbian because it takes the presence of lesbian on stage as a given'. Their vaudevillian satirical gender-bending performances have received numerous awards, including a Jane Chamber award and four Village Voice OBIE awards. Their collection of scripts, 'Split Britches Feminist Performance/Lesbian Practice', edited by Sue Ellen Case, won the 1997 Lambda Literary Award for Drama. This video documents their performance 'Belle Reprieve'. Collaborating with legendary gay/drag performers Bloolips, Shaw and Weaver take on Tennessee Williams' 'A Streetcar Named Desire' and the mythic proportions of Stanley and Blanche. Both steamy and hysterical, 'Belle Reprieve' looks at gay and lesbian sex in the 1940's and both honors Williams and turns him on his head. Hemispheric Institute of Performance and Politics