Brooklyn College series (day 2)

The Brooklyn College series features video material of two full days of workshop with Augusto Boal in 1988. This is a video documentation of the second day of workshop, dedicated mostly to Forum Theatre practices. Augusto Boal leads general exercises and invites participants to think about how to apply Theatre of the Oppressed techniques in a classroom setting. This video material also includes discussions and exercises on transgression.

Augusto Boal was a theatre director, scholar, teacher; political representative and statesman in Rio de Janeiro, Brazil; international speaker and the creator of the Theatre of the Oppressed. Born in 1931 in Rio de Janeiro, Augusto Boal was formally trained in chemical engineering and attended Columbia University in the late 1940s and early 1950s. In 1962 he was invited to work with Arena Theatre in Sao Paulo, Brazil where he stayed until 1971 when he was arrested, tortured, and exiled. His years directing and writing plays for Arena Theatre helped him to start slowly developing his own methodology, which continued in Argentina, Peru, Ecuador, Portugal, and Paris, following his exile from Brazil. That methodology would later culminate in the Theatre of the Oppressed.

The Theatre of the Oppressed is a participatory theatre that fosters democratic and cooperative forms of interaction among participants. It is a 'rehearsal theatre' practiced by 'spect-actors' (not spectators) who have the opportunity to both act and observe empowering processes of dialogue and critical thinking. In the Theatre of the Oppressed, the theatrical act is experienced as a conscious intervention, as a rehearsal for social action rooted in a collective analysis of shared problems. The methodology can be divided into several techniques used by Augusto Boal: Image Theatre, Newspaper Theatre, Invisible Theatre, Forum Theatre, Rainbow of Desire, and Legislative Theatre.