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Otra tempestad.

Socorro, Alina, Lauten, Flora, Carrió Ibietatorremendía, Raquel, Teatro Buendía
Permalink
https://hdl.handle.net/2333.1/gqnk991w
Title
Otra tempestad.
Other title
Another tempest
Author/Creator
Socorro, Alina, Lauten, Flora, Carrió Ibietatorremendía, Raquel, Teatro Buendía
Restrictions/Permissions
Access is open to all web users, Copyright holder: Teatro Buendía, Contact information: Flora Lauten Toyos and Raquel Carrió Ibietatorremendía, Calle 12 B entre Primera y Mar, Edif. 3, Apto. 2, Miramar, Playa, Ciudad Habana, Cuba, +537-204-0211, +537-209-1642 (business), +537-204-0211 (fax), buendia@cubarte.cult.cu
Language
Spanish
Date
©1997
Format
1 online resource (2 video files of 2 (digital Betacam) (106 min.)) : sound, color.
Credits
José Antonio Alonso, Félix Antequera, Oreste Pérez, Ivanesa Cabrera, Juan José Rodríguez, Ileana Wilson, Giselle Navaroli, Carlos Cruz, Sandra Lorenzo, Pablo Guevara, Dania Aguerreberez, Antonia Fernández, Jomary Hechavarría (musician), José del Pilar Suárez (musician), Agustín Gómez (musician), Alfredo Hernández (musician), Leandro More (musician), Juan Larrinaga (musician). Teatro Buendía, producer ; Alina Socorro, producer ; Flora Lauten, director ; Raquel Carrió, Flora Lauten, writers ; Fanny Rojas, assistant director ; Eduardo Arrocha, set & costume design ; Carlos Repilado, lighting design ; Ireno García, music consultant ; Rodolfo Alcalá, Manuela Alonso, choreography ; Alberto Velázquez, masks ; Aurora Delgado, Noelia Pérez, Taller del Ministerio de Cultura, costumes ; Adela Prado, makeup ; Carlos Fernández, sound ; Varilla / Sandrino, set ; Manolo Garriga, lighting ; Félix Antequera, photographer ; Lourdes Navarro, administrator.
Notes

Adaptation written by Raquel Carrió and Flora Lauten, based on texts by Shakespeare, Carpentier, Paz, Martí, and Caribbean folktales, rituals and songs from Yoruban and Araran cultures. An exploration of the conflicting and syncretic coordinates of "cubanidad", Otra Tempestad tells the story of the labyrinthical encounters (dreamt or imagined) between well-known Shakespearean characters and key figures of Afro-Caribbean mythology. Fifteen "cuadros", constantly cycling from death to utopia to death, examine archetypal behavior, investigating the space where worlds collide, the confluence of old and new world orders. Teatro Buendía, formed in 1986 by graduates from the Higher Institute of Arts, Havana, and directed by Flora Lauten, is Cuba's most celebrated theater company. Since its foundation, they have developed two parallel lines of work: the production of theater spectacles, and a permanent research center investigating Latin American and Caribbean cultural traditions, the expressive possibilities of the actor, and the renewal of scenic languages. The study of the possible relations between music, dance, and interpretation, as well as the formulation of new forms of scenic writing and dramaturgy of the spectacle, has consolidated Teatro Buendía's international prestige as a company that has presented their repertoire in the most demanding festivals and venues of Latin America, Europe, North America, Asia, Africa and Australia, all to critical acclaim. They also tour internationally giving workshops, seminars and conferences on their cultural investigations and creative methods. Hemispheric Institute of Performance and Politics

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