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El dueño de las mariposas.

Difarnecio, Doris, Juárez Espinosa, Isabel, 1958-, Oseguera Cruz, María Francisca, Arguedas, Giovanni, Fortaleza de la Mujer Maya (Organization)
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https://hdl.handle.net/2333.1/g79cnpfz
Title
El dueño de las mariposas.
Author/Creator
Difarnecio, Doris, Juárez Espinosa, Isabel, 1958-, Oseguera Cruz, María Francisca, Arguedas, Giovanni, Fortaleza de la Mujer Maya (Organization)
Restrictions/Permissions
Access is open to all web users, Copyright holder: Fortaleza de la Mujer Maya (FOMMA), Contact information: Isabel Suárez, Avenida Argentina #14, Barrio de Mexicanos, San Cristóbal de las Casas, Chiapas, México 29249, +52-967-678-6730 (business), +52-967-678-6730 (fax), fomma@prodigy.com.mx, isabel3414@hotmail.com
Language
Spanish
Date
©2006
Format
1 online resource (1 video file of 1 (digital Betacam) (60 min.)) : sound, color.
Credits
Fortaleza de la Mujer Maya (FOMMA), producer, writer ; Doris Difarnecio, director ; Isabel Juárez Espinosa, María Francisca Oseguera Cruz, Victoria Patishtan Gómez, María Pérez Sántiz, Petrona de la Cruz Cruz, collective creation. Isabel Juárez Espinosa, María Francisca Oseguera Cruz, Giovanni Arguedas (guest artist).
Notes

FOMMA - Fortaleza de la Mujer Maya - is a collective of Mayan women who use theater as a tool for education and community building. Based in San Cristóbal de las Casas, Chiapas, Mexico, they are performers, playwrights, and teachers who tour their work in their communities and internationally, performing plays that focus on women's and indigenous rights, literacy, cultural survival, ecology, health, and education in the Tzeltal and Tzotzil indigenous languages. 'El Dueño de las Mariposas' tells the story of Chepe, an orphan predestined by his 'wayjel' - the hummingbird - to change the fate of the slaves suffering under the despotic rule of coffee plantation landowner Don Martín Contreras. The play exposes the dreadful life and work conditions of the 'cafetaleros' (coffee plantation workers), denouncing human right violations and demanding the observance of the fundamental rights of the individual. This piece is the result of a process of collective creation on the relationship between politics and the body; the resulting performance brings together symbols, characters and circumstances form the rich Mayan imaginary as well as from the everyday life conditions of indigenous peoples in Latin America, in intricate labyrinths of time, love, injustice, and freedom, an urgent call for inalienable human rights. Hemispheric Institute of Performance and Politics

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