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NO+ : Las mujeres votamos NO+.

Figueroa, Lorena, Rosenfeld, Lotty, Eltit, Diamela, 1949-, Colectivo Acciones de Arte
Permalink
https://hdl.handle.net/2333.1/dr7sqvvn
Title
NO+ : Las mujeres votamos NO+.
Other title
NO mas : Las mujeres votamos NO+
Author/Creator
Figueroa, Lorena, Rosenfeld, Lotty, Eltit, Diamela, 1949-, Colectivo Acciones de Arte
Restrictions/Permissions
Access is open to all web users, Copyright holder: C.A.D.A. (Colectivo Acciones de Arte), Contact information: Soledad Aguirre Evangelista, Museo de la memoria y los derechos humanos, Matucana 501 Metro Quinta Normal, Santiago, Chile, saguirre@museodelamemoria.cl, https://museodelamemoria.cl
Language
In Spanish.
Date
©1989
Filming or performance location
Recorded in Santiago, Chile, in August 1989.
Format
1 online resource ( 1 video file of 1 (Digital Betacam) (9 min.)) : sd., b&w and col.
Credits
CADA (Colectivo Acciones de Arte), Lorena Figueroa, producers ; Lotty Rosenfeld, director ; Diamela Eltit, script ; David Muñoz, editor ; Loreto Valenzuela, voice over ; Felipe Martínez, music ; Lotty Rosenfeld, videographer.
Notes

The Colectivo de Acciones de Arte (CADA) is a Chilean activist group of artists (artists Lotty Rosenfeld and Juan Castillo, sociologist Fernando Balcells, poet Raúl Zurita and novelist Diamela Eltit) who used performance to challenge the Pinochet dictatorship in Chile. One of the most important contributors to the 'Escena Avanzada', CADA incorporated strategies of theatricality and performance as an essential element to all its 'art actions', while questioning the practices and institutions of all politics and conceiving art as a necessary social practice that eradicated the traditional distance between the artist and the spectator. Committed to the foundation of an open and spontaneous practice of spectatorship, their 'interventions in everyday life' intended to interrupt and alter the normalized routines of the daily urban life of the citizen, by means of a semiotic subversion that decontextualized and semantically restructured urban behaviors, locations and signs. Hemispheric Institute of Performance and Politics

On the 10th year of Augusto Pinochet's dictatorship in Chile, CADA proposed the slogan 'NO +' (NO more). This was meant as an open text to be completed by the citizens, according to their specific social demands (No more ...). CADA invited Chilean artists from different fields to spread this message on walls all over Santiago. Wall tagging was the first form of NO+, but the slogan was soon used by different collectives all over the country as a massive public symbol of political resistance and non-conformity. Hemispheric Institute of Performance and Politics

This documentary shows the application of the slogan NO + by the women's movement in Chile; the video portrays the women's movement as an active participant in joint efforts of civic resistance against the dictatorship. Hemispheric Institute of Performance and Politics

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