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Museo Travesti (versión editada) = Transvestite Museum (edited version)

Campuzano, Giuseppe, Wetzler, Gray, Hemispheric Institute of Performance and Politics, Hemispheric Institute Encuentro (7th : 2009 : Bogotá, Colombia)
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https://hdl.handle.net/2333.1/8cz8wc3h
Title
Museo Travesti (versión editada) = Transvestite Museum (edited version)
Other title
Transvestite Museum (edited version)
Author/Creator
Campuzano, Giuseppe, Wetzler, Gray, Hemispheric Institute of Performance and Politics, Hemispheric Institute Encuentro (7th : 2009 : Bogotá, Colombia)
Restrictions/Permissions
Copyright holder: Hemispheric Institute of Performance and Politics, Contact information: 20 Cooper Square, Fifth Floor, New York, NY 10003, U.S.A., +1-212-998-1631 (business), +1-212-995-4423 (fax), hemi@nyu.edu, http://www.hemisphericinstitute.org
Language
Spanish
Date
2009 Aug. 21
Format
1 online resource (video file (5 min., 46 sec.)) : sound, color.
Credits
Luis Gerardo Rosero, Chicas Extraordinarias, performers. Rachel Lears, Robert Gonyo, videographers ; Gray Wetzler, video editor.
Notes

'Transvestite Museum,' by Peruvian researcher and artist Giuseppe Campuzano, was presented as a part of the 7th Encuentro of the Hemispheric Institute of Performance and Politics, held in August of 2009 in Bogotá, Colombia, under the title 'Staging Citizenship: Cultural Rights in the Americas.' This 10-day event brought together activism, scholarship, and art around the themes of legacies, memories, struggles, and frontiers of citizenship. Since 2003, Campuzano has been working on the 'Transvestite Museum' project, an exploration of the realities of transvestism, a staging of its aesthetics, and a confrontation between its forms of knowledge and official discourses. This performance explored a transvestite body that performs in order to persist in the face of a denied discourse: ritual turned into spectacle, a queer body whose performance deconstructs and assembles its topics and differences as strategy. The 'Transvestite Museum' appeared at the National University within a geneology of Peruvian ritual dance, always from the body: the bodies of the Chicas Extraordinarias in relationship with their intra-university address, and the body of Luis Gerardo Rosero, weaving together objects and subjects of shared memory through his choreography.

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