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Last stop ranchera : staged reading

Lujan, Jaime, Bonet, Wilma, Aranda, Yolanda, Coria, Enrique, Latina Theatre Lab, Center for the Arts at Yerba Buena Gardens
Permalink
https://hdl.handle.net/2333.1/83bk3m1b
Title
Last stop ranchera : staged reading
Author/Creator
Lujan, Jaime, Bonet, Wilma, Aranda, Yolanda, Coria, Enrique, Latina Theatre Lab, Center for the Arts at Yerba Buena Gardens
Restrictions/Permissions
Copyright holder: Hemispheric Institute of Performance and Politics, Contact information: 20 Cooper Square, Fifth Floor, New York, NY 10003, U.S.A., +1-212-998-1631 (business), +1-212-995-4423 (fax), hemi@nyu.edu, http://www.hemisphericinstitute.org
Language
English, Spanish
Date
1999 Feb. 12
Format
1 online resource (video file (111 min., 54 sec.)) : sound, color.
Credits
Monica Sanchez, guest writer ; Cherríe Moraga, guest dramaturg ; Margo Reed, stage manager ; Alexandra Vazquez, lighting designer ; Enrique Coria, sound designer. Yolanda Aranda, Wilma Bonet, Jaime Lujan, Tessa Koning-Martinez, Selena Sue Navarro, Marlène Ramírez-Cancio, Andrea Cristina Thome, performers ; Enrique Coria, guest master guitarist ; Francine Torres, guest reader.
Notes

Commissioned by Yerba Buena Center for the Arts (1998-1999 Wattis Artist-in-residence, established by Mr. and Mrs. Paul Wattis with leadership support from Catherine and Ted Topham), this is a staged reading of a play-in-progress drawing from personal histories and memories triggered by the music and lyrics of rancheras. This series of eloquent monologues is expressed in three movements. 'Once' is comprised of stories passed from people never known, now long gone. The movement 'Jump' reveals observations of the family, revealed by little girls' eyes. The third movement, 'Forte,' presents reflections of who we are today.

Latina Theatre Lab was one of the first and only all-Latina collective of writers, performers, and directors in the U.S. Their performance-sketch work dealt with pop culture, immigration, cross-cultural identities, and the complexities of 'being Latina.' It was founded in 1994 by four San Francisco Bay Area actresses: Dena Martinez, Jaime Lujan, Tessa Koning-Martinez and Wilma Bonet. Their purpose was to create theater that would go beyond the ever shrinking and limited range of roles for which Latina actresses were being considered. These roles were scarce, and rarely defied stereotypes. From 1994-1999, Latina Theatre Lab's work played with these cultural and gender stereotypes, exploring the legacies they inherited both as Latinas and as women. They also have collaborated with Culture Clash, the Asian American Theater Company, and the 18 Mighty Mountain Warriors.

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