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Eréndira.

Castellanos, Eusebio Pedro, López, William, Celdrán, Carlos, Lauten, Flora, García Márquez, Gabriel, 1927-2014, Teatro Buendía, Fundateneofestival
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https://hdl.handle.net/2333.1/76hdr82s
Title
Eréndira.
Other title
Increíble y triste historia de la cándida Eréndira y su abuela desalmada
Author/Creator
Castellanos, Eusebio Pedro, López, William, Celdrán, Carlos, Lauten, Flora, García Márquez, Gabriel, 1927-2014, Teatro Buendía, Fundateneofestival
Restrictions/Permissions
Access is open to all web users, Copyright holder: Teatro Buendía, Contact information: Flora Lauten Toyos and Raquel Carrió Ibietatorremendía, Calle 12 B entre Primera y Mar, Edif. 3, Apto. 2, Miramar, Playa, Ciudad Habana, Cuba, +537-204-0211, +537-209-1642 (business), +537-204-0211 (fax), buendia@cubarte.cult.cu
Language
Spanish
Date
©1992
Format
1 online resource (2 video files of 2 (digital Betacam) (106 min.)) : sound, color.
Credits
Flora Lauten, Lillian Vega, Ernesto Tapia, Félix Antequera, Orestes Pérez, Esther Cardoso, Antonia Fernández, Ivanessa Cabrera, AntonioVarona, Rubén Pérez, Vivian Agramonte, Evelyn Dávila, Dania J. Aguerreberez, Héctor Agüero. Teatro Buendía, producer ; Fundateneofestival, producer ; Eusebio Pedro Castellanos, producer ; William López, producer ; Carlos Celdrán, Flora Lauten, directors ; Antonio Varona, Yanina Pérez, assistant directors ; based on the eponymous novella by Gabriel García Márquez ; Marieta Veulens, Héctor Agüero, original music ; traditional Cuban music, additional music selection ; José Salas, set, lighting & costume design ; Noelia Pérez, costumes ; Marcell Ferrer, videographer.
Notes

Carlos Celdrán and Flora Lauten's version of "La increíble y triste historia de la cándida Eréndira y su abuela desalmada", the famous story by renowned Colombian writer Gabriel García Márquez, is a theatrical exploration of intimacy, nostalgia and divestment. The creative process was deeply invested in the investigation of the expressive possibilities of the dramaturgy of the actor, the characters and the essential myth within the story, in order to unveil the hidden metaphor of Eréndira. Teatro Buendía, formed in 1986 by graduates from the Higher Institute of Arts, Havana, and directed by Flora Lauten, is Cuba's most celebrated theater company. Since its foundation, they have developed two parallel lines of work: the production of theater spectacles, and a permanent research center investigating Latin American and Caribbean cultural traditions, the expressive possibilities of the actor, and the renewal of scenic languages. The study of the possible relations between music, dance, and interpretation, as well as the formulation of new forms of scenic writing and dramaturgy of the spectacle, have consolidated Teatro Buendía's international prestige as a company that has presented their repertoire in the most demanding festivals and venues of Latin America, Europe, North America, Asia, Africa and Australia, all to critical acclaim. They also tour internationally giving workshops, seminars and conferences on their cultural investigations and creative methods. Hemispheric Institute of Performance and Politics

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