Mummified deer.

This video documents El Teatro Campesino's performance Mummified Deer. The play was inspired by a 1984 newspaper article describing an 86-year-old woman in Juarez, Mexico who was found to be carrying a 60-year-old mummified fetus in her womb. Fifteen years later, playwright, director and founder of ETC Luis Valdez returned to the article while simultaneously embarking on a highly personal investigation of his own family history. Valdez traveled to Sonora, Mexico to investigate his family's Yaqui roots and ancestral history; Mummified Deer derived from his time in Mexico and the newspaper article, in what Valdez considers to be his most personal play to date. Armida, Valdezs mother, is re-envisioned as a young woman by the same name; his grandmothers, aunts and cousins fused into the other leading characters. The main action of the play takes place in 1999 by the side of Mama Chus hospital bed, but also flashes back to 1969 when the Chicano Movement was just starting, back through the thirties and twenties, to the turn of the 20th Century and the Mexican Revolution when Mama Chu crosses the border into the United States. The genocidal war against the Yaquis in Mexico, forcing Mama Chu to migrate to the US, is only one of the familys buried secrets. In spite of the fluidity of time zones, what anchors all the action is the constant presence of a young Yaqui deer dancer who dances but does not speak, symbolizing the 60-year-old mummified fetus. The play incorporates themes of family conflict within the broader context of history and social struggle. Staged two years after the original production at the San Diego Repertory Theater, this version of Mummified Deer contains several changes and refinements to the script. Hemispheric Institute of Performance and Politics