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El último ensayo (versión editada) = The final rehearsal (edited version)

Rubio Zapata, Miguel, Correa, Ana, Cayo, Amiel, Casafranca, Augusto, Correa, Débora, Vargas, Julián, Ralli, Rebeca, Ralli, Teresa, Wetzler, Gray, Grupo Cultural Yuyachkani, Hemispheric Institute of Performance and Politics, Hemispheric Institute Encuentro (7th : 2009 : Bogotá, Colombia)
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https://hdl.handle.net/2333.1/5mkkwjwk
Title
El último ensayo (versión editada) = The final rehearsal (edited version)
Other title
Final rehearsal (edited version)
Author/Creator
Rubio Zapata, Miguel, Correa, Ana, Cayo, Amiel, Casafranca, Augusto, Correa, Débora, Vargas, Julián, Ralli, Rebeca, Ralli, Teresa, Wetzler, Gray, Grupo Cultural Yuyachkani, Hemispheric Institute of Performance and Politics, Hemispheric Institute Encuentro (7th : 2009 : Bogotá, Colombia)
Restrictions/Permissions
Copyright holder: Hemispheric Institute of Performance and Politics, Contact information: 20 Cooper Square, Fifth Floor, New York, NY 10003, U.S.A., +1-212-998-1631 (business), +1-212-995-4423 (fax), hemi@nyu.edu, http://www.hemisphericinstitute.org
Language
In Spanish.
Date
2009 Aug. 21
Filming or performance location
Recorded at the Auditorio León de Greiff, Bogotá, Colombia, on August 21, 2009, as part of the 7th Encuentro of the Hemispheric Institute of Performance and Politics.
Format
1 online resource (video file (14 min., 56 sec.)) : sound, color.
Credits
Ana Correa, Amiel Cayo, Augusto Casafranca, Débora Correa, Julián Vargas, Rebeca Ralli, Teresa Ralli, performers. Hemispheric Institute of Performance and Politics, producer ; Gray Wetzler, videographer, video editor.
Notes

'The Final Rehearsal' by Peru's Grupo Cultural Yuyachkani, was presented as a part of the 7th Encuentro of the Hemispheric Institute of Performance and Politics, held in August of 2009 in Bogotá, Colombia, under the title 'Staging Citizenship: Cultural Rights in the Americas.' This 10-day event brought together activism, scholarship, and art around the themes of legacies, memories, struggles, and frontiers of citizenship. This edited version of the performance offers a privileged view of the counterpoint between the performers' bodies and the media and texts that are present on stage. Set in an old theater, which was also once a cinema hall, a group of artists crafted a homage to a legendary diva whose life story parallels the history of twentieth-century Peru. Since 1971, Grupo Cultural Yuyachkani has been working at the forefront of theatrical experimentation, political performance, and collective creation. 'Yuyachkani is a Quechua word that means 'I am thinking, I am remembering.' Under this name, the theater group has devoted itself to the collective exploration of embodied social memory, particularly in relation to questions of ethnicity, violence, and memory in Peru.

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