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Historia de amor (últimos capítulos).

Abderhalden, Heidi, Lagarce, Jean-Luc, 1957-1995, Hincapié, Leonardo, Mapa Teatro
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https://hdl.handle.net/2333.1/4f4qrfr4
Title
Historia de amor (últimos capítulos).
Other title
Love story (last chapters)
Author/Creator
Abderhalden, Heidi, Lagarce, Jean-Luc, 1957-1995, Hincapié, Leonardo, Mapa Teatro
Restrictions/Permissions
Access is open to all web users, Copyright holder: Mapa Teatro Laboratorio de Artistas, Contact information: Rolf and Heidi Abderhalden, Carrera 7 Nº 23-08, Bogotá, Colombia, +57-1-284-4899 (business), +57-1-599-6795 (fax), info@mapateatro.org, http://www.mapateatro.org
Language
In Spanish.
Date
©2002
Filming or performance location
Performed in Bogotá, Colombia, in 2002.
Format
1 online resource (1 video file of 1 (video file) (54 min.)) : sound, color.
Credits
Germán Núñez, voice talent ; María Adelaida Puerta, voice talent ; Pedro Miguel Rozo, voice talent ; Jaime Bedoya (international billiard champion), featured performer. Mapa Teatro, French Embassy, AFAA, producers ; Heidi Abderhalden, director ; Jean-Luc Lagarce, writer ; Leonardo Hincapié, Heidi Abderhalden, translation ; Mauricio Esguerra, Rolando Vargas, photography ; Rolando Vargas, video ; José Ignacio Rincón, staging ; Sergio Iragorri, recording ; Estudios V.U. Track, recording ; CD Systems, CD printing ; Carlos Benavides, music & sound design.
Notes

This 'radiophonic' play explores the relationship between three people, their desires, sense of loss and isolation. The play unravels as a journey of a man passing through a city, a journey of thoughts and words passing inside the man's head, the passing of a story that ebbs and flows, of history repeating itself, of sense lost and recovered. Voices, in their continuous expression and circulation, turn into the face of history and story, their sound turned fractured gestures. And both faces and gestures get shaped in the solitude of those who listen. The production is configured as a digital voice soundscape with a one-shot, aerial-view video of a billiard table in play (featuring international champion billiard player Jaime Bedoya). Streams of sound, words and disembodied voices evoke repetitions and pulses between memory, affect and influence, murmuring softly of a broken long term love affair, of war, intrigue and exile. Hemispheric Institute of Performance and Politics

One of the foremost artistic companies in Colombia, Mapa Teatro (www.mapateatro.org) has been producing theater, performance and art installation projects since 1984. Founders and directors, Rolf and Heidi Abderhalden have created a wide ranging repertoire of theater, opera, mixed-media performance, and site-specific installation. Their work proposes richly textured visual metaphors in which they consider often complex psychological, social and political relationships. Committed to experimentation, and less interested in the actor as an 'agent of fiction, ' they describe their project as 'a laboratory of social imagination, ' that offers a space for presenting community issues and human concerns in media and performance. This combination of real-life situations and sites along with highly stylized aesthetic staging produces a tension between real action and (re)presentation. Hemispheric Institute of Performance and Politics

Mapa Teatro draws from live events captured on video such as the demolition of a neighborhood in Bogotá, ritual practice, and texts that explore the relationship of postmodern subjects, myth and metaphor. Mapa Teatro has performed by commissions, festivals and collaborative projects world-wide. Hemispheric Institute of Performance and Politics

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